Peter Cetera - Peter Cetera [Full Moon Records FMH 3624] (September 1981)

Released: September 1981
Country: US
Label: Full Moon Records
Catalog: FMH 3624
Pressing: Capitol Records Pressing Plant, Jacksonville
Genre: Pop / Rock

Item# SR-FUFMH3624
Ratings: C=VG-; LP=VG

Note: Jacket has a notch cut-out

T R A C K L I S T:
01 Livin' In The Limelight
02 I Can Feel It
03 How Many Times
04 Holy Moly
05 Mona Mona
06 On The Line
07 Not Afraid To Cry
08 Evil Eye
09 Practical Man
10 Ivy Covered Walls


Matrix / Runout (Side A):
FMH1-3624-JW2 FORDEN STERLING 0

Matrix / Runout (Side B):
FMH2-3624-JW2 FORDEN STERLING 0




Peter Cetera
Peter Cetera


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Album Review

Rob Theakston [allmusic.com]

Having tasted success with Chicago throughout the '70s, Peter Cetera decided to launch his solo career at the dawn of the '80s with this ten-track exercise in rock. In an immediate departure from the successfully safe formula Chicago utilized to exhaustion, Cetera employed a stellar crew of guest artists to reinforce that this was his project. The Beach Boys' Carl Wilson and Ricky Fataar make guest appearances, as does Toto wunderkind Steve Lukather, to complement Cetera's distinctive voice and bass playing. They waste no time in getting going with the rocker ''Livin' in the Limelight,'' which features Lukather delivering a blazing guitar solo and Cetera trying to be as hard rocking as any soft rocker could possibly be. Think Don Johnson's ''Heartbeat'' and you're still nowhere close. Things simmer down a bit, and even return to Chicago-friendly territory, with ''Mona Mona'' and ''On the Line.'' But the mandate remains the same: to distinguish this record as a solo endeavor, even though many songs here would lay the blueprint and signal the direction Chicago would take with Chicago 16 and the chart-topping juggernaut Chicago 17. For anyone but die-hard Chicago/Cetera fans, this is nothing more than a passing fancy, and those looking for Cetera's safe and accessible ballads will be mildly disappointed. But fans of early-'80s rock will be pleasantly surprised if they approach this record with open ears.