Paul Simon - There Goes Rhymin' Simon [Columbia Records KC 32280] (5 May 1973)

Dynamic Range Released: 5 May 1973
Country: US
Label: Columbia Records
Catalog: KC 32280
Jazz, Funk / Soul

Item# SR-COKC32280
Ratings: C=VG; LP=VG


T R A C K L I S T:
01 Kodachrome
02 Tenderness
03 Take Me To The Mardi Gras
04 Something So Right
05 One Man's Ceiling Is Another Man's Floor
06 American Tune
07 Was A Sunny Day
08 Learn How To Fall
09 St. Judy's Comet
10 Loves Me Like A Rock




There Goes Rhymin' Simon
Paul Simon


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Album Review

There Goes Rhymin' Simon is the logical second step in Paul Simon's solo recording career, and it is a dazzlingly surefooted one. Despite its many light, humorous moments, the core theme of his first album, Paul Simon, was depressing: fear of death, its focal point a sung poem, ''Everything Put Together Falls Apart,'' that while worthy of comparison with the best work of John Berryman, could hardly be called ''easy listening.'' Since the album dealt with anxiety, it communicated anxiety and was difficult in places to accept as entertainment. This isn't true of Rhymin' Simon. Like its predecessor, it is a fully realized work of art, of genius in fact, but one that is also endlessly listenable on every level. Simon has never sounded so assured vocally. He demonstrates in several places pyrotechnical skills that approach Harry Nilsson's (in embellishment of ballad phrases) and John Lennon's (in letting it all hang out), though for the most part, Simon's deliveries are straight - restrained and supple, bowing as they should to the material, which is of the very highest order.

Rhymin' Simon shows, once and for all, that Simon is now the consummate master of the contemporary narrative song - one of a very few practicing singer/songwriters able to impart wisdom as much by implication as by direct statement. Here, even more than in the first album, Simon successfully communicates the deepest kinds of love without ever becoming rhetorical or overly sentimental. The chief factor in his remarkable growth since Simon and Garfunkel days has been the development of a gently wry humor that is objective, even fatalistic, though never bitter.

Thematically, Rhymin' Simon represents a sweeping outward gesture from the introspection of the first album. Simon has triumphantly relocated his sensibility in the general scheme of things: as a musician, as a poet of the American tragedy, and most importantly as a family man. Rhymin' Simon celebrates, above all, familial bonds, which are seen as an antidote, perhaps the only antidote, to psychic disintegration in a terminally diseased society. As an expression of one man's credo, therefore, it is a profoundly affirmative album. [rollingstone.com]