The Art Of Noise - In No Sense? Nonsense! [Chrysalis Records OV 41570] (28 September 1987)

Released: 28 September 1987
Country: US
Label: Chrysalis Records
Catalog: OV 41570
Genre: Electronic

Item# SR-CHOV41570
Ratings: C=VG+; LP=VG+

T R A C K L I S T:
01 Galleons Of Stone
02 Dragnet
03 Fin Du Temps
04 How Rapid?
05 Opus For Four
06 Debut
07 E.F.L.
08 Ode To Don Jose
09 A Day At The Races
10 Counterpoint
11 Roundabout 727
12 Ransom On The Sand
13 Roller 1
14 Nothing Was Going To Stop Them Then, Anyway
15 Crusoe
16 One Earth


Matrix / Runout (Side A):
OV 41570 AS DMM C1 G2 STERLING E5

Matrix / Runout (Side B):
OV 41570 BS DMM C1 G1 STERLING A7




In No Sense? Nonsense!
The Art Of Noise


LP to Digital [FLAC] transfer bundle
$39.99 plus shipping


Order ships in 3 to 6 weeks.




Submit an album review.

Album Review

Evan Cater [allmusic.com]

In No Sense? Nonsense! contains some of the Art of Noise's most compelling work. With this album, Anne Dudley and company expanded their new wave experiments to include more instrumental firepower. In addition to full rock band production (including electric guitars, drums, and synthesizers), this record makes use of brass band, orchestral, and choral music. The result is about as rich and complex as they ever got. In No Sense? Nonsense! is probably best known as the album that included their take on the theme from the '50s cop show Dragnet, used in the 1987 film version that starred Dan Akroyd and Tom Hanks. That track is certainly the most accessible on the record, but it somehow seems a little too punchy for the primary ambient pop surroundings. It might fit better on a different album. This record is more notable for tracks like ''How Rapid?'' and ''Opus for Four'' that engage in fanciful genre blending. At times, the sound almost begins to anticipate later ambient dance artists like Enigma and DJ Shadow. But the Art of Noise are aptly named and consequently limited. Their artful noise collage lacks the visceral impact afforded by those later bands. In No Sense? is more often interesting than beautiful.