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Xavier Cugat

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Xavier Cugat and His Orchestra - Cugat Plays Continental Hits [Mercury PPS 6021] (1962)

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Xavier Cugat and His Orchestra


Cugat Plays Continental Hits

Released: 1962
Label: Mercury
Catalog: PPS 6021
Genre: Easy Listening

T R A C K L I S T:
01 Mack The Knife
02 Petite Fleur
03 Apache
04 Volare (Nel Blu Dipinto Di Blu)
05 Never On Sunday (Les Enfants Du Piree)
06 Calcutta
07 Sucu Sucu
08 The 3rd Man Theme
09 Wonderland By Night
10 The Poor People Of Paris
11 Come Prima (For The First Time)
12 Guaglione
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Xavier Cugat - Cugat Caricatures [Mercury SR-60888] (1964)

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Xavier Cugat


Cugat Caricatures

Released: 1964
Label: Mercury
Catalog: SR-60888
Genre: Easy Listening
T R A C K L I S T:
01 Fly Me To The Moon
02 Night Train
03 Vanessa
04 My Funny Valentine
05 Green Eyes
06 Smoke Gets In Your Eyes
07 Desafinado
08 Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
09 The Continental
10 Papa Loves Mambo
11 I've Got The World On A String
12 Witchcraft
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Album Review

Tony Wilds []

The most irresistible aspect of Cugi's Caricatures may be the jacket's sketches to accompany each title. They are by Cugat, of course. The theme is supposed to be jazz and rock tunes, but popular standards in various Latin and Brazilian styles is more accurate. "Night Train" could be jazz or rock, but here it is a cha-cha, one of the highlights. The tunes leading off each side, "Fly Me to the Moon" and "Desafinado," indicate the peak popularity of bossa nova. Culminating his Mercury years, Cugat Caricatures' smooth consistency indicates the sophisticated, tried-and-true sound that would distinquish his subsequent Decca period.

Xavier Cugat's Biography

Craig Harris []

Remembered for his highly commercial approach to pop music, Xavier Cugat (born Francisco de Asis Javier Cugat Mingall de Cru y Deulofeo) made an even greater mark as one of the pioneers of Latin American dance music. During his eight-decade-long career, Cugat helped to popularize the tango, the cha-cha, the mambo, and the rhumba. His hits included "El Manicero" in the 1930s, "Perfidia" in 1940, and the original recording of "Babalu" in 1944. Members of Cugat's band included Desi Arnaz, Miguelito Valdés, Tito Rodriguez, Luis del Campo, Yma Sumac, and his third wife (of four), Abbe Lane. Cugat used the success of his musical career as a springboard for a movie career that included appearances in such films as Gay Madrid (1930), You Were Never Lovelier (1942), Bathing Beauty (1945), Weekend at the Waldorf (1945), Holiday in Mexico (1946), On an Island With You (1948), A Date With Judy (1948), Chicago Syndicate (1955), and Desire Diabolique (1959).

A native of Girona, Spain, Cugat emigrated with his family to Cuba in 1905. Trained as a classical violinist, he played with the Orchestra of the Teatro Nacional in Havana at the age of 12. Emigrating to the United States, sometime between 1915 and 1918, he quickly found work accompanying an opera singer. At the height of the tango craze, in 1918, Cugat joined a popular dance band, the Gigolos. His involvement with the group, however, was brief. As the popularity of the tango faded, he took a job as a cartoonist for The Los Angeles Times. Cugat returned to music in 1920, forming his own group, the Latin American Band. Although they played regularly at the Coconut Grove in Los Angeles and supplied the soundtracks for several musical shorts, the group had its greatest success after moving to New York and became the house band for the Waldorf Astoria Hotel. Despite being criticized for their middle-of-the-road approach, Cugat remained committed to his commercial-minded sound. He later explained, "I would rather play 'Chiquita Banana' and have my swimming pool than play Bach and starve." Cugat and his orchestra remained at the hotel for 16 years. Beautiful women were consistently featured in Cugat's band. After helping Rita Hayworth launch her career, he appeared in her film You Were Never Lovelier. Cugat's recordings of the 1950s featured the singing of his third wife, Abbe Lane. In the mid-'60s, he featured his fourth wife, Charo, who he billed as a "folksinger." Upon his retirement in 1970, Cugat returned to Spain. He died in Barcelona on October 27, 1990. His band, which was led by Tito Puente following his retirement, continued to perform under the direction of dancer, musician, and vocalist Ada Cavallo.
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