Red Rider

  • Red Rider - Don't Fight It [Capitol Records ST-12028] (23 October 1979)
  • Red Rider - As Far As Siam [Capitol Records ST-12145] (30 June 1981)
  • Red Rider - Breaking Curfew [Capitol Records ST-12317] (September 1984)

Biography

Steve Huey [allmusic.com]

Much beloved in their native Canada, Red Rider never cracked the lucrative American market, although bandleader Tom Cochrane would find better luck as a solo artist in the '90s. Red Rider's trademark sound was a blend of AOR and new wave, which made them quite popular in their home country, where their albums regularly went gold. Intraband tension and personnel shifts gradually took their toll, and Red Rider called it a day as the '80s drew to a close.

Red Rider were formed in Toronto by singer/guitarist Ken Greer, keyboardist Peter Boynton, and drummer Rob Baker in 1976. Bassist Jeff Jones soon came onboard as well, and in 1978, following a gig at Toronto's legendary El Mocambo club, they met singer/guitarist Tom Cochrane. Cochrane had previously pursued a career as a folk singer, and had even released a solo album, Hang On to Your Resistance, back in 1974 (to little success). Red Rider took Cochrane on as their frontman, although Greer had an equal hand in shaping the band's direction early on. They soon signed with Capitol Records through a connection of Cochrane's, and issued their hit debut single, ''White Hot,'' in late 1979. Their first album, Don't Fight It, followed in early 1980, and its title track was also a hit, helping the album go gold in Canada. Their second album, 1981's As Far as Siam, went platinum and still ranks as their most enduringly popular work. It featured the band's signature song, the Canadian chart-topper ''Lunatic Fringe'' (which later alan_parsonseared in the film Vision Quest and the TV series Miami Vice), as well as another Canadian hit in ''What Have You Got to Do (To Get Off Tonight).''

Keyboardist Boynton subsequently left the group and was replaced by Steve Sexton for the follow-up, 1983's Neruda, a prog-tinged concept album about the famed Chilean poet. Neruda spawned the band's second biggest Canadian single in ''Power (Strength in Numbers),'' but it still couldn't break Red Rider in the U.S. Sexton departed and was replaced by John Weblood_sweat_tearser for 1984's Breaking Curfew, which found even their Canadian audience slipping a bit. Tensions were running high, and when an opening slot on Rush's American tour failed to bring them a new audience, Red Rider temporarily disbanded. After taking a bit of time off, Cochrane, Greer, and Weblood_sweat_tearser regrouped with bassist Ken ''Spider'' Sinnaeve and drummer Mickey Curry, and Cochrane assumed greater control of the band, billing himself out front. The eponymous Tom Cochrane & Red Rider alan_parsonseared in 1986 and brought the band another Canadian hit single with ''Boy Inside the Man.'' Victory Day followed in 1988, and Weblood_sweat_tearser was gone by this point, his spot filled simply by session men. After one further outing, 1989's The Symphony Sessions (an album of old favorites recorded with the Edmonton Symphony Orchestra), Cochrane officially left for a solo career, and Red Rider disbanded, this time for good. Cochrane went on to score a massive solo hit -- in America -- with the Top Five smash ''Life Is a Highway'' in 1992.