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Harry Belafonte

Read Harry Belafonte's biography



Harry Belafonte - Belafonte (RCA LPM 1150) (1956)

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Artist:

Harry Belafonte

Title:

Belafonte [mono]

Released: 1956
Label: RCA
Catalog: LPM-1150
Genre: Folk / World
Featuring The Norman Luboff Choir
T R A C K L I S T:
01 Water Boy
02 Troubles
03 Suzanne (Every Night When The Sun Goes Down)
04 Matilda
05 Take My Mother Home
06 Noah
07 Scarlet Ribbons (For Her Hair)
08 In That Great Gettin' Up Mornin'
09 Unchained Melody
10 Jump Down, Spin Around
11 Sylvie
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Album Review

by Cary Ginell [allmusic.com]

Belafonte's second album includes songs featured in the Broadway production of Three for Tonight, which starred Belafonte along with Gower and Marge Champion. The collection again featured a variety of material, which would become a hallmark with his albums up until the mid-1960s. But now, for the first time, the power of Belafonte's interpretive skills become alan_parsonsarent, especially with songs culled from field recordings of chain gangs and southern prisons. "Jump Down, Spin Around" and "Sylvie" were both popularized by Leadbelly. The hammer song "Water Boy" and the spirituals "Take My Mother Home" and "Noah" are among the most powerful performances in Belafonte's career. Also included is Belafonte's second recording of one of his most requested songs, the calypso "Matilda." This version was far superior to his first effort, released only on a single in 1953. This album was swept along with the success of Belafonte's next release, the million-selling Calypso, and was #1 on Billboard's album charts for six weeks, remaining on the charts for over a year.


Harry Belafonte - Belafonte At Carnegie Hall: The Complete Concert [RCA Victor LOC-6006] (1959)

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ITEM# SR-RCLOC6006
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Artist:

Harry Belafonte

Title:

Belafonte At Carnegie Hall: The Complete Concert

Released: 1959
Label: RCA Victor
Catalog: LOC-6006
Genre: Calypso, Vocal
NOTE: Double LP on 2 CDs


T R A C K L I S T:

Disc 1

01 Introduction / Darlin' Cora
02 Sylvie
03 Cotton Fields
04 John Henry
05 Take My Mother Home
06 The Marching Saints
07 Day O
08 Jamaica Farewell
09 Man Piaba
10 All My Trials

Disc 2

01 Mama Look A Boo Boo
02 Come Back Liza
03 Man Smart (Woman Smarter)
04 Hava Nageela
05 Danny Boy
06 Merci Bon Dieu (From The ''Haitian Suite'')
07 Cu Cu Ru Cu Cu Paloma
08 Shenandoah
09 Matilda
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Harry Belafonte - My Lord What A Mornin' [RCA Victor LSP-2022] (1960)

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ITEM# SR-RCLSP2022
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Artist:

Harry Belafonte

Title:

My Lord What A Mornin'

Released: 1960
Label: RCA Victor
Catalog: LSP-2022
Genre: Gospel, Folk


T R A C K L I S T:
01 Wake Up Jacob
02 My Lord What A Mornin'
03 Ezekiel
04 Buked And Scorned
05 Stars Shinin' (By 'N By)
06 Oh Freedom
07 Were You There When They Crucified My Lord
08 Oh Let Me Fly
09 Swing Low
10 March Down To Jordan
11 Steal Away
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Harry Belafonte - An Evening With Belafonte/Makeba [RCA LPM-3420] (1965)

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ITEM# SR-RCLPM3420
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Artist:

Harry Belafonte

Title:

An Evening With Belafonte/Makeba

Released: 1965
Label: RCA
Catalog: LPM-3420
Genre: Calypso, Folk, Ballad, African


T R A C K L I S T:
01 Train Song
02 In The Land Of The Zulus
03 Hush, Hush
04 To Those We Love
05 Give Us Our Land
06 Beware, Verwoerd!
07 Gone Are My Children
08 Hurry, Mama, Hurry!
09 My Angel
10 Cannon
11 Lullaby
12 Show Me The Way, My Brother
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Album Review

An Evening with Belafonte/Makeba is a Grammy Award-winning 1965 album by Harry Belafonte and Miriam Makeba. It was the second outcome of the long lasting collaboration between Belafonte and Makeba, the first being the appearance of Makeba in the song "Just One More Dance" on Belafonte's 1960 album, Belafonte Returns to Carnegie Hall.

Despite the title, the album is not a collection of live duet performances by Harry Belafonte and Makeba. It is a studio album of 12 tracks, five by Belafonte, five by Makeba, and two duets. The songs are all South African traditional tunes sung in tribal languages like Xhosa and Zulu.

In the mid-1960s, Belafonte was very active in supporting emerging African artists as well as making African music known worldwide, and this album is an example of this activity. It includes classical African songs like Malaika (with the English title My Angel) as well as songs in African languages such as Zulu, Sotho and Swahili. [wikipedia.org]

Harry Belafonte's Biography

by Jason Ankeny [allmusic.com]

An actor, humanitarian, and the acknowledged "King of Calypso," Harry Belafonte ranked among the most seminal performers of the postwar era. One of the most successful African-American pop stars in history, Belafonte's staggering talent, good looks, and masterful assimilation of folk, jazz, and worldbeat rhythms allowed him to achieve a level of mainstream eminence and crossover popularity virtually unparalleled in the days before the advent of the civil rights movement -- a cultural uprising which he himself helped spearhead.

Harold George Belafonte, Jr., was born March 1, 1927, in Harlem, NY. The son of Caribbean-born immigrants, he returned with his mother to her native Jamaica at the age of eight, remaining there for the next five years. Upon returning to the U.S., Belafonte dropped out of high school to enlist in the U.S. Navy; after his discharge, he resettled in New York City to forge a career as an actor, performing with the American Negro Theatre while studying drama at Erwin Piscator's famed Dramatic Workshop alongside the likes of Marlon Brando and Tony Curtis.

A singing role resulted in a series of cabaret engagements, and eventually Belafonte even opened his own club. Initially, he put his clear, silky voice to work as a straight pop singer, launching his recording career on the Jubilee label in 1949; however, at the dawn of the 1950s he discovered folk music, learning material through the Library of Congress' American folk songs archives while also discovering West Indian music. With guitarist Millard Thomas, Belafonte soon made his debut at the legendary jazz club the Village Vanguard; in 1953, he made his film bow in Bright Road, winning a Tony Award the next year for his work in the Broadway revue John Murray Anderson's Almanac.

With his lead role in Otto Preminger's film adaptation of Oscar Hammerstein's Carmen Jones, Belafonte shot to stardom; after signing to the RCA label, he issued Mark Twain and Other Folk Favorites, which reached the number three slot on the Billboard charts in the early weeks of 1956. His next effort, titled simply Belafonte, reached number one, kick-starting a national craze for calypso music; Calypso, also issued in 1956, topped the charts for a staggering 31 weeks on the strength of hits like "Jamaica Farewell" and the immortal "Banana Boat (Day-O)."

Following the success of 1957's An Evening with Belafonte and its hit "Mary's Boy Child," Belafonte returned to film, using his now considerable clout to realize the controversial film Island in the Sun, in which his character contemplates an affair with a white woman portrayed by Joan Fontaine. Similarly, 1959's Odds Against Tomorrow cast him as a bank robber teamed with a racist accomplice. Also in 1959 he released the LP Belafonte at Carnegie Hall, a recording of a sold-out April performance that spent over three years on the charts; Belafonte Returns to Carnegie Hall followed in 1960 and featured alan_parsonsearances by Odetta, Miriam Makeba, and the Chad Mitchell Trio.

At the turn of the 1960s, Belafonte became television's first black producer; his special Tonight with Harry Belafonte won an Emmy that same year. Although dissatisfied with filmmaking, he continued his prolific album output with 1961's Jump Up Calypso and 1962's The Midnight Special, which featured the first-ever recorded alan_parsonsearance by a young harmonica player named Bob Dylan. As the Beatles and other stars of the British Invasion began to dominate the pop charts, Belafonte's impact as a commercial force diminished; 1964's Belafonte at the Greek Theatre was his last Top 40 effort, and subsequent efforts like 1965's An Evening with Belafonte/Makeba and 1966's In My Quiet Room struggled even to crack the Top 100. 1969's Homeward Bound earned Belafonte his final Billboard chart alan_parsonsearance, although he continued to record. He then made his first film alan_parsonsearance in over a decade in 1970's The Angel Levine and continued to focus on his work as a civil rights activist.

In addition to his continued work in recording (albeit less frequently after leaving RCA in the mid-'70s) and film (1972's Buck and the Preacher and 1974's Uptown Saturday Night), Belafonte spent an increasing amount of the 1970s and 1980s as a tireless humanitarian; most famously, he was a central figure of the USA for Africa effort, singing on the 1985 single "We Are the World." A year later, he replaced Danny Kaye as UNICEF's Goodwill Ambassador. After a long absence from the screen, Belafonte resurfaced in the mid-'90s in a number of film roles, most notably in the reverse-racism drama White Man's Burden and Robert Altman's jazz-era period piece Kansas City. Although at this point Belafonte had stopped recording new music, he kept his name in the news by releasing the occasional live album (including 1997's An Evening with Harry Belafonte & Friends) as well as being an outspoken proponent of Venezuelan president Hugo Chavez and opponent of the Bush government.
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