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Eric Clapton

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Eric Clapton - August [Warner Bros / Duck 1-25476] (1986)

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Artist:

Eric Clapton

Title:

August

Released: 1986
Label: Warner Bros / Duck
Catalog: 1-25476
Country: USA
Genre: Rock, Blues-Rock


T R A C K L I S T:
01 It's In The Way That You Use It
02 Run
03 Tearing Us Apart
04 Bad Influence
05 Walk Away
06 Hung Up On Your Love
07 Take A Chance
08 Hold On
09 Miss You
10 Holy Mother
11 Behind The Mask
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Album Review

William Ruhlmann [allmusic.com]

Eric Clapton adopted a new, tougher, hard R&B approach on August, employing a stripped-down band featuring keyboard player Greg Phillinganes, bassist Nathan East, and drummer/producer Phil Collins, plus, on several tracks, a horn section and, on a couple of tracks, backup vocals by Tina Turner, and performing songs written by old Motown hand Lamont Dozier, among others. The excellent, but incongruous, leadoff track, however, was ''It's in the Way That You Use It,'' which Clapton and Robbie Robertson had written for Robertson's score to the film The Color of Money. Elsewhere, Clapton sang and played fiercely on songs like ''Tearing Us Apart,'' ''Run,'' and ''Miss You,'' all of which earned AOR radio play. That radio support may have helped the album to achieve gold status in less than six months, Clapton's best commercial showing since 1981's Another Ticket, despite the album's failure to generate a hit single. The title commemorates the birth in August 1986 of Clapton's son Conor. [The CD version of the album contains the bonus track ''Grand Illusion.'']


Eric Clapton - Journeyman [Duck Records W1-26074] (1989)

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Artist:

Eric Clapton

Title:

Journeyman

Released: 1989
Country: USA
Label: Duck Records
Catalog: W1-26074
Genre: Rock, Blues Rock


T R A C K L I S T:
01 Pretending
02 Anything For Your Love
03 Bad Love
04 Running On Faith
05 Hard Times
06 Hound Dog
07 No Alibis
08 Run So Far
09 Old Love
10 Breaking Point
11 Lead Me On
12 Before You Accuse Me
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Album Review

Stephen Thomas Erlewine [allmusic.com]

For most of the '80s, Eric Clapton seemed rather lost, uncertain of whether he should return to his blues roots or pander to AOR radio. By the mid-'80s, he appeared to have made the decision to revamp himself as a glossy mainstream rocker, working with synthesizers and drum machines. Instead of expanding his audience, it only reduced it. Then came the career retrospective Crossroads, which helped revitalize his career, not only commercially, but also creatively, as Journeyman -- the first album he recorded after the success of Crossroads -- proved. Although Journeyman still suffers from an overly slick production, Clapton sounds more convincing than he has since the early '70s. Not only is his guitar playing muscular and forceful, his singing is soulful and gritty. Furthermore, the songwriting is consistently strong, alternating between fine mainstream rock originals (''Pretending'') and covers (''Before You Accuse Me,'' ''Hound Dog''). Like any of Clapton's best albums, there is no grandstanding to be found on Journeyman -- it's simply a laid-back and thoroughly engaging display of Clapton's virtuosity. On the whole, it's the best studio album he's released since Slowhand.

Eric Clapton's Biography

William Ruhlmann [allmusic.com]

Prior to Eric Clapton, the idea of the guitar hero didn't exist in rock & roll. There were plenty of flashy players, but nothing along the lines of Clapton, who rocketed to fame in the 1960s as the guitarist for the Yardbirds, John Mayall's Bluesbreakers, and Cream. Clapton eased into a solo career in 1970, but he was so reticent to step to the front of the stage he adopted the pseudonym Derek & the Dominos for the album, Layla and Other Assorted Love Songs. By the end of the '70s, he had finally embraced his role as the preeminent guitarist of his generation, and also tempered his virtuosity with pretty ballads. That sensitive side shone on his biggest hit, 1992's MTV Unplugged, which also reconnected him with the blues roots upon which his entire career lay.

By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world's major rock stars due to his group affiliations -- the Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith -- all of which had demonstrated his claim to being the best rock guitarist of his generation. The fact that it took Clapton so long to go out on his own, however, was evidence of a degree of reticence unusual for someone of his stature. And his debut album, though it spawned the Top 40 hit ''After Midnight,'' was typical of his self-effacing approach: it was, in effect, an album by the group he had lately been featured in, Delaney & Bonnie & Friends.

Eric Clapton's Rainbow ConcertNot surprisingly, before his solo debut had even been released, Clapton had retreated from his solo stance, assembling from the D&B&F ranks the personnel for a group, Derek & the Dominos, with whom he played for most of 1970 and recorded the landmark album Layla and Other Assorted Love Songs. Clapton was largely inactive in 1971 and 1972, due to heroin addiction, but he performed a comeback concert at the Rainbow Theatre in London on January 13, 1973, resulting in the album Eric Clapton's Rainbow Concert (September 1973). But Clapton did not launch a sustained solo career until July 1974, when he released 461 Ocean Boulevard, which topped the charts and spawned the number one single ''I Shot the Sheriff.''

The persona Clapton established over the next decade was less that of guitar hero than arena rock star with a weakness for ballads. The follow-ups to 461 Ocean Boulevard, There's One in Every Crowd (March 1975), the live E.C. Was Here (August 1975), and No Reason to Cry (August 1976), were less successful. But Slowhand (November 1977), which featured both the powerful ''Cocaine'' (written by J.J. Cale, who had also written ''After Midnight'') and the hit singles ''Lay Down Sally'' and ''Wonderful Tonight,'' was a million-seller. Its follow-ups, Backless (November 1978), featuring the Top Ten hit ''Promises,'' the live Just One Night (April 1980), and Another Ticket (February 1981), featuring the Top Ten hit ''I Can't Stand It,'' were all big sellers.

Clapton's popularity waned somewhat in the first half of the '80s, as the albums Money and Cigarettes (February 1983), Behind the Sun (March 1985), and August (November 1986) indicated a certain career stasis. But he was buoyed up by the release of the box set retrospective Crossroads (April 1988), which seemed to remind his fans of how great he was. Journeyman (November 1989) was a return to form. It would be his last new studio album for nearly five years, though in the interim he would suffer greatly and enjoy surprising triumph. On March 20, 1991, Clapton's four-year-old son was killed in a fall. While he mourned, he released a live album, 24 Nights (October 1991), culled from his annual concert series at Royal Albert Hall in London, and prepared a movie soundtrack, Rush (January 1992). The soundtrack featured a song written for his son, ''Tears in Heaven,'' that became a massive hit single.

In March 1992, Clapton recorded a concert for MTV Unplugged which, when released on an album in August, became his biggest-selling record ever. Two years later, Clapton returned with a blues album, From the Cradle, which became one of his most successful albums, both commercially and critically. Crossroads, Vol. 2: Live in the Seventies, a box set chronicling his live work from the '70s, was released to mixed reviews. In early 1997, Clapton, billing himself by the pseudonym ''X-Sample,'' collaborated with keyboardist/producer Simon Climie as the ambient new age and trip-hop duo T.D.F. The duo released Retail Therapy to mixed reviews in early 1997.

Clapton retained Climie as his collaborator for Pilgrim, his first album of new material since 1989's Journeyman. Pilgrim was greeted with decidedly mixed reviews upon its spring 1998 release, but the album debuted at number four and stayed in the Top Ten for several weeks on the success of the single ''My Father's Eyes.'' In 2000, Clapton teamed up with old friend B.B. King on Riding with the King, a set of blues standards and material from contemporary singer/songwriters. Another solo outing, entitled Reptile, followed in early 2001. Three years later, Clapton issued Me and Mr. Johnson, a collection of tunes honoring the Mississippi-born bluesman Robert Johnson. Released in 2005, Back Home, Clapton's 14th album of original material, reflected his ease with fatherhood. Also in 2005, Clapton unexpectedly teamed with Jack Bruce and Ginger Baker for a Cream reunion that included May concerts at London's Royal Albert Hall and shows at New York's Madison Square Garden in October, with the former being compiled for a live release that fall.

This turned out to be the first of many reunions and looks back for Clapton. In 2006, he elevated the profile of his latter-day idol J.J. Cale by recording an album-long duet, The Road to Escondido. The following year he released his autobiography -- accompanied by a new career compilation called The Complete Clapton -- which focused more on his trials with addiction and subsequent recovery than his musical career. In 2008, Clapton began playing regular shows with his old Blind Faith partner Steve Winwood, gigs that were captured on the 2009 double-live set Live from Madison Square Garden. Winwood also appeared on Clapton's next studio album, 2010's Clapton, which was a collaboration-heavy affair also featuring Cale, Sheryl Crow, Allen Toussaint, and Wynton Marsalis. In 2011, Clapton returned the favor to Marsalis by collaborating on the live concert album Play the Blues: Live from Jazz at Lincoln Center.

Clapton parted ways with Warner after Clapton, and he chose to set up his own Bushbranch imprint on independent label Surfdog. His first album for the label was Old Sock, largely a collection of old songs the guitarist loved. It reached the Top Ten in the U.S. and Great Britain. In the fall of 2013, Warner Bros. released Crossroads Guitar Festival 2013, and his Unplugged album was expanded and remastered by Rhino. Early the following year, Clapton announced that a new album, The Breeze: An Appreciation of J.J. Cale, would be issued in July, one year on from the passing of his key inspiration. The tribute album included contributions from artists such as Willie Nelson, John Mayer, Tom Petty, and Mark Knopfler. A collection of his Warner recordings called Forever Man saw a spring 2015 release. Clapton returned in May of 2016 with I Still Do, his third album for Surfdog. It found him reuniting with Slowhand producer Glyn Johns; the album debuted at six on the Billboard Top 200. Later that year, Clapton released Live in San Diego, a double-disc album featuring a 2007 concert with J.J. Cale. In 2018, Clapton released his first holiday album, Happy Xmas.
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